CHAMPIONS

Hailing from the serene village of Chosuba in Nagaland’s Phek District, Veswuzo Phesao has emerged as a passionate custodian of Chakhesang culture. Born into a family that initially followed traditional ancestral beliefs before converting to Christianity, Veswuzo grew up in an environment that deeply respected indigenous values and customs. His father, a staunch cultural guardian, upheld traditions through symbolic practices like hosting community feasts—markers of social status, generosity, and cultural pride.

Veswuzo was encouraged from a young age to embrace folk songs and dances, learning directly from village elders. Even while helping with chores or socializing, he was reminded to sing and dance, weaving culture into daily life. After completing his schooling, he pursued higher studies in art at the prestigious J.J. Institute of Applied Arts in Bombay. Despite being far from home, he stayed connected to his roots, performing Chakhesang folk music at college events and among peers.

In 1989, he joined the North East Zone Cultural Centre (NEZCC), where he found a platform to actively promote and preserve his community’s traditions. To nurture young talent, he later established a cultural club in Naga United Village, mentoring youth in Chakhesang songs, dances, and customs. Under his leadership, the group performed across India, gaining recognition and encouraging pride in cultural identity.

Veswuzo’s journey—from a village youth to a national cultural ambassador—is a testament to his dedication and belief in the power of heritage. He credits his achievements to the grace of God and remains committed to keeping Chakhesang traditions alive for future generations. Through his efforts, Veswuzo has become more than a promoter—he is a living bridge between past and present, memory and identity.

Akole Tetseo, a passionate advocate for Naga heritage, learned the art of jewelry-making from her mother and later founded Tsanino, a jewelry emporium in Kohima. Through her craft, she preserves and promotes the timeless beauty of Naga traditional jewelry, while mentoring young people to continue the legacy. For Akole, Naga jewelry is more than adornment—it is “the most treasured and prestigious asset among the Nagas,” reflecting status, identity, and ancestral pride.

Naga jewelry tells powerful stories. Among warrior tribes, items like the brass trophy head necklace symbolize bravery and honor. Each brass head represents an enemy defeated, linked to the now-abolished headhunting tradition that once defined manhood and spiritual strength. These symbolic pieces were proudly displayed in homes as emblems of courage and communal pride.

Both Naga men and women wear jewelry that signifies a deep connection to their land, customs, and social roles. The craftsmanship uses materials like beads, feathers, bones, shells, stones, wood, brass, and ivory—each chosen for its meaning and beauty. Men's jewelry includes boar tusks, deer teeth, beaded belts, cuffs, chest crossbands, and practical items like brass leg rings used for climbing. These bold accessories celebrate their hunting skills and masculinity.

Women’s jewelry, on the other hand, is more intricate and delicate. From beaded necklaces to waist pieces and medallions, their adornments often serve as heirlooms passed down through generations—tokens of familial and cultural inheritance. Earrings made from shells, paper, or cotton wool show their inventive craftsmanship.

Through Tsanino, Akole Tetseo not only brings traditional designs to modern platforms but also keeps alive a vital cultural tradition. Her efforts inspire younger generations to embrace their roots and wear their identity with pride.

Born in 1956, Hatjaphal (Phalsi) is a key figure in preserving and promoting Kuki culture and heritage. After studying at Dimapur Art College, she embarked on a career in education, teaching at Molvom and later retiring from Athibung Government Middle School. Throughout her teaching career, she was committed to shaping young minds while also preserving her cultural roots.

Upon retiring, Hatjaphal turned to writing, focusing on Kuki history, traditions, and folklore. Her books, including Goulu, Bu Ninu, and Bu Khatna, explore the rich customs of the Kuki tribe, shedding light on their dances, lores, and cultural expressions. These works serve as vital documents for understanding the symbolism and significance of Kuki traditions, offering insights into their vibrant cultural heritage.

Beyond her literary contributions, Hatjaphal plays a central role in the community's cultural life. She teaches and performs traditional folk dances and songs, passing on her knowledge to younger generations. Her compositions of lores—integral to the Kuki oral storytelling tradition—continue to enrich the cultural landscape.

Hatjaphal’s commitment to preserving Kuki culture extends beyond her writing and teaching. She actively participates in major cultural events, ensuring the continuation of Kuki traditions in a modern world. Her dedication has made her an invaluable figure in her community, contributing to the cultural renaissance of the Kuki tribe. Through her efforts, Hatjaphal not only preserves the past but also shapes the future of Kuki heritage for generations to come.